by Michael Maranda | Apr 13, 2011
On Giving Voice to DreadCurran Folkers IA tinny, hollow voice scrapes its way out of a battered speaker – a pre-recorded message. The sputtering sparks of the bruised recording overpower the muffled voices interred within. Incredibly brief, but so telling. So typical....
by Michael Maranda | Apr 13, 2011
Humberto VélezAesthetics of Collaboration13 April – 26 June 2011 Let’s open our imagination for a moment and picture how we might relate to a place through a dream we share with the people who live there. Let’s imagine real images to show the world what really moves...
by Michael Maranda | Apr 13, 2011
Nothing of Harm to DreadJennie Suddick13 April – 26 June 2011 Earlier January, 2011, maintenance workers discovered traces of an unknown substance in a variety of locations across Canada’s largest university campus. After examination by several chemists and...
by Michael Maranda | Apr 13, 2011
The Performance Bus: Gavin Stephens and Jon Sasaki: Are We There Yet? 13 Apr 2011 Going to the AGYU? All the way out there? Yeah, we’re out there. Far out there. Not only has our innovative Performance Bus provided artists with 45 minutes of uninterrupted quality time...
by Michael Maranda | Apr 4, 2011
2 + 2 = 5 11 April 2011 Jacob Korczynski In the essay Earthworms Dancing: Notes for a Biennial in Slow Motion the Raqs Media Collective ask: “…can we imagine a biennale stretching to become something that happens across two years rather than something that...
